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	<title>Comments on: Rock &#038; Republic - Victoria Beckham South Beach Cropped Jeans</title>
	<link>http://www.denimblogs.com/rock-republic-victoria-beckham-south-beach-cropped-jeans-2/</link>
	<description>Daily. Delicious. Daring. Devilish. Denim.</description>
	<pubDate>Sun, 06 Jul 2008 19:01:21 +0000</pubDate>
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		<title>by: Jessica</title>
		<link>http://www.denimblogs.com/rock-republic-victoria-beckham-south-beach-cropped-jeans-2/#comment-57</link>
		<pubDate>Sun, 28 Jan 2007 21:16:18 +0000</pubDate>
		<guid>http://www.denimblogs.com/rock-republic-victoria-beckham-south-beach-cropped-jeans-2/#comment-57</guid>
					<description>Interesting, Victoria Beckham isnt the only one having problems with Rock &amp;#38; Republic. This suit between photographer Markus Klinko and Rock &amp;#38; Republic is even in the New York post at http://www.nypost.com/seven/01262007/news/nationalnews/fashion_passion_sextortion_nationalnews_dareh_gregorian_and_bill_hoffmann.htm and
http://www.nypost.com/seven/01272007/news/regionalnews/4_way_triangle_regionalnews_dareh_gregorian.htm

Theres an interview Michael Ball did about working with Markus, and it was pretty nice. Its on youtube at http://youtube.com/watch?v=2bsXaWdhHC8

Check out this lawsuit, what do you guys think about this?:

SUPREME COURT OF THE STATE OF NEW YORK
COUNTY OF NEW YORK
--------------------------------------------------------------------X
MARKUS KLINKO and MARKUS KLINKO                                        
Index No.
PHOTOGRAPHY, INC., d/b/a MARKUS KLINKO &amp;#38; INDRANI PHOTOGRAPHY,
                                                                       V 
ERIFIED COMPLAINT
Plaintiff,

-against-

ROCK &amp;#38; REPUBLIC ENTERPRISES, INC., d/b/a ROCK &amp;#38; REPUBLIC JEANS and
MICHAEL BALL, individually,

Defendants.
---------------------------------------------------------------------X
Plaintiffs MARKUS KLINKO and MARKUS KLINKO PHOTOGRAPHY, INC.,
d/b/a MARKUS KLINKO &amp;#38; INDRANI PHOTOGRAPHY, by and through their  
attorneys,
MELTZER LoPRESTI, LLP, as and for their complaint against Defendants  
ROCK &amp;#38;
REPUBLIC ENTERPRISES, INC., d/b/a ROCK &amp;#38; REPUBLIC JEANS and MICHAEL
BALL, allege as follows:

NATURE OF ACTION

1. This action responds to a pattern of threats and extortion  
perpetrated by defendant
Michael Ball (ìBallî), the CEO, founder and head designer for  
defendant Rock &amp;#38; Republic
Enterprises, Inc. (ìRock &amp;#38; Republicî), a manufacturer of fashionable  
denim jeans under the
brand name ìRock &amp;#38; Republicî.
2. Fueled by jealousies over an ex-fiancÈ that abandoned Ball and who  
subsequently
entered into a long term romantic relationship with plaintiff Markus  
Klinko (ìKlinkoî), and
seeking to protect himself from potentially damaging information  
regarding his past, Ball
embarked on a crusade to intimidate Klinko personally and  
professionally. Upon obtaining
possession of intimate e-mails and sexually explicit photos exchanged  
by Klinko and Ballís exfiancÈ,
Ball proceeded to threaten Klinko to ìwalk awayî from his ex-lover  
and any monies
owed to plaintiffs, because if he didnít, Ball would use his ìpower  
and influenceî in the fashion
industry, as well as the photos and e-mails, to publicly embarrass  
and ruin Klinko personally and
professionally. Ballís threat: ìyou donít want to fuck with meî.
3. In December 2006, Klinko, together with his business partner  
Indrani Pal-
Chaudhuri (ìIndraniî) and their studio, Markus Klinko &amp;#38; Indrani  
Photography (ìMKIPî), had
originally been hired by defendant Rock &amp;#38; Republic to shoot an  
international advertising
campaign for their brand.
4. Klinko, a highly successful, internationally acclaimed, fashion/ 
celebrity
photographer who has become well known for his work with A-list  
actors, musicians and models
in the entertainment industry such as Jennifer Lopez, Britney Spears,  
Mariah Carey, Janet
Jackson, Beyonce, Lindsay Lohan and David Bowie, among many others,  
as well as for his work
in major advertising campaigns and fashion magazines, was introduced  
to Ball by Ballís exfiancÈ
while she was in a romantic relationship with Klinko. However, upon  
information and
belief, Ball was unaware of this relationship.
5. Thereafter, despite being admittedly extremely pleased by Klinko  
and MKIPís
work and the obvious success of the photo shoot, instead, Ball later  
sought to humiliate and
embarrass Klinko and MKIP by making unreasonable and nonsensical  
demands. Ball followed
by then refusing to use any of plaintiffsí images, by refusing to use  
Klinko and MKIP in any
further ad campaigns (as defendants had promised), and by refusing to  
compensate plaintiffs
without any viable reason.
6. One week later, upon coming into possession of the aforesaid  
sexually explicit
images and personal e-mails, Ball then proceeded to threaten Klinko,  
claiming to be a ìbig shotî
in the industry (ìdo you know who I amî), and that Klinko would be  
embarrassed, humiliated
and professionally ruined by this personal information and the  
release of the photos if he didnít
simply ìwalk awayî from any of his claims against defendants or his  
former lover, repeatedly
intimidating Klinko with such statements as ìdonít fuck with me or  
youíll regret itî, ìyou donít
want to fuck with meî and ìlet it go, or elseî.
7. At that time, Ballís threats also included him assisting in the  
filing of a
harassment claim against Klinko with local police and spending  
whatever money it took for his
attorneys to pursue Klinko through representation of his ex-fiancÈ.
8. As alleged herein, in conjunction with the making of such threats,  
Ball feigned the
act of ìprotectingî his former lover as if a ìknight in shining  
armorî, while portraying Klinko as
a disgruntled boyfriend. However, numerous e-mails and communications  
between both Klinko
and Ballís ex-fiancÈ subsequent to their separation and prior to  
Ballís threats, belie such a
characterization. Rather, these communications support plaintiffsí  
claims of Ballís jealous and
vindictive motivation, as they detail numerous times a loving desire  
by Ballís ex-fiancÈ to
continue to remain in a relationship with Klinko, or in the least to  
remain in communication with
him. In an e-mail to Klinko dated December 28, 2006, she elaborated:  
ìListen [ ]now that you
met Michael you can understand why I got so traumatized.î
9. Defendant Ball has continued to act in bad faith through such  
threats, and has
benefited by improperly retaining the fruits of plaintiffsí labor, by  
preventing plaintiffs from
recovering what is rightfully theirs, by use of threats intended to  
destroy Klinkoís personal life
and professional career and to embarrass and severely injure  
plaintiffsí reputation and financial
interests. Threats of ruining someoneís career through extortion and  
blackmail should not be
tolerated - and resorting to bully tactics in avoidance of proper  
resolution through the judicial
system is simply unacceptable.

THE PARTIES

10. Plaintiff Markus Klinko (ìKlinkoî), is an individual and resident  
of New York
County. Klinko is an internationally known, high-end fashion/ 
celebrity photographer, catering to
numerous well-known actors, musicians and models in the entertainment  
industry, as well as
international advertising campaigns and magazines.
11. Plaintiff Markus Klinko Photography, Inc., d/b/a Markus Klinko &amp;#38;  
Indrani
Photography (ìMKIPî), is a corporation duly organized under the laws  
of the State of New
York, and maintains a principal place of business in the City, County  
and State of New York.
MKIP is in the business of photographic and imaging services.
12. Upon information and belief, defendant Rock &amp;#38; Republic  
Enterprises, Inc., d/b/a
Rock &amp;#38; Republic Jean (ìRock &amp;#38; Republicî), is a corporation organized  
under the laws of the
State of California, with a principal office located at 3525 Eastham  
Drive, Culver City,
California 90232. Rock &amp;#38; Republic is a manufacturer of, among other  
things, denim jeans,
which are sold in New York.
13. Upon information and belief, Michael Ball (ìBallî), is a resident  
of the State of
California and is the CEO and founder of defendant Rock &amp;#38; Republic.

VENUE

14. In accordance with Rule 503(a) of the New York Civil Practice Law  
and Rules,
venue is appropriate in this Court.

STATEMENT OF FACTS

15. Plaintiffs maintain a well-known business in photography and  
photographic
imaging, catering to a high-end fashion/celebrity clientele of  
actors, musicians and models in the
entertainment industry, also creating images seen in international  
advertising campaigns and
magazines.
16. Defendants Ball and Rock &amp;#38; Republic represent the brand ìRock &amp;#38;  
Republicî, a
clothing line that primarily features fashionable denim jeans.
17. On or about November 22, 2006, defendants sought a high-end  
photographer to
shoot their major advertising campaign for Spring 2007, to be  
revealed at Fashion Week in New
York, February 2007.
18. At that time, defendant Klinko was romantically involved with  
Fernanda Romero
(ìRomeroî), a soap opera actress and aspiring model. Romero  
introduced Klinko to Ball, in an
apparent attempt to garner a position as featured model in the Rock &amp;#38;  
Republic campaign.
19. Several years earlier, defendant Ball had been romantically  
involved with
Romero, and had even proposed to her. The couple subsequently became  
engaged.
20. Upon information and belief, after a tumultuous relationship in  
which Ball had
several violent incidences with Romero, Romero left Ball and ended  
the relationship.
21. Upon information and belief, at various times during 2005, Ball  
assisted and/or
aided Romero in procuring a fraudulent marriage for immigration  
purposes, and also assisted and
advised Romero in obtaining a false social security identification  
card while utilizing two
different social security numbers.
22. In about January, 2006, Romero became romantically involved with  
plaintiff
Klinko. Upon information and belief, this occurred despite Ballís  
attempts to woo Romero back
by buying her a new car during that same time.
23. During Romero and Klinkoís relationship, Romero would often  
reveal to Klinko
highly confidential and intimate details about her relationship with  
Ball, and at times she would
even broadcast phone conversations with Ball via speakerphone or by  
placing the phone at full
volume.
24. On numerous occasions, Romero referred to sensitive matters  
regarding their
prior relationship, such as instances of violence by Ball leading to  
police involvement and
Romeroís complaints to the police, immigration fraud and his  
complicity in her fraudulent
marriage and the procurement of false social security numbers, tapes  
of their therapy sessions
and conversations regarding his sexuality.
25. Upon information and belief, Klinkoís acquired knowledge of such  
accounts was
the partial motivation for Ball to eventually seek to silence and  
extort Klinko.
26. In about November 2006, Romero introduced Klinko to Ball in an  
apparent effort
to be featured in the Rock &amp;#38; Republic advertising campaign.
27. Upon information and belief, until that time, Romero had never  
told Ball that she
was involved with Klinko for fear of not being awarded a model  
contract with Rock &amp;#38; Republic.
28. Upon meeting, Ball represented that since defendants had  
partnered with and/or
been involved in major campaigns with celebrity personalities such as  
Victoria Beckham (ìPosh
Spiceî) and plans to feature Jessica Alba in an upcoming fashion  
season, plaintiffs would
benefit from the added exposure of a full advertising campaign with  
the Rock &amp;#38; Republic
brand.1
29. As defendants were aware, Klinko and MKIP demand a superior ìday  
rateî in the
industry due to their status and impressive client roster.  
Plaintiffsí images are known worldwide,
as they have produced many instantly recognizable photographs for A- 
list celebrities, musicians
and models in the entertainment industry, such as Jennifer Lopez,  
Britney Spears, Mariah Carey,
Beyonce, Lindsay Lohan, Mary J. Blige, Kate Winslet, Keanu Reeves,  
David Bowie, among
others, as well as major advertising campaigns for highly visible  
clients such as L'Oreal Paris,
Pepsi, Hugo Boss, Nike, Elizabeth Arden, Baby Phat, and many others.  
Such images have also
appeared in well-known magazines such as Vanity Fair, V, GQ,  
Interview, Arena and Playboy,
among others. (See http://www.markusklinko-indrani.com/photoGallery/ )
30. On or about December 5, 2006, the parties agreed that plaintiffs  
would be retained
by defendants in relation to the advertising campaign for defendantsí  
brand ìRock &amp;#38; Republicî
(hereinafter, ìthe Workî), on the following terms: (i) plaintiffs  
would be guaranteed ìon page ad
creditî for their work; and (ii) plaintiffs were to be granted  
exclusive rights to shoot future
campaigns for the brand. In return, plaintiffs agreed to: (a) waive  
their session fee (which
consisted of a day rate of $ 30,000.00); (b) grant international  
usage of images produced for one
year (valued at $ 30,000.00); and (c) provide digital post production  
services at cost. Attached as
Exhibit ìAî is the partiesí agreement. As is standard, up front  
expenses of the photo shoot were
to be paid prior to the shoot.
31. At this time, by the explicit instruction of Ball, Romero was not  
to be used in the
1 Unknown to Klinko, defendants and Victoria Beckham had parted ways,  
and upon
photo shoot because ìshe cheated on meî, as Ball stated before both  
his and plaintiffsí staff.
32. Pursuant to said agreement, on about December 14, 2007,  
plaintiffs duly
performed the required services in connection with the Work.
33. The photo shoot was a great success, and defendant Ball openly  
praised the
plaintiffsí work, which he also declared on camera in a video  
produced for the campaign. As
stated by Ball:
ìI just wanted to say working with Markus and Indrani was  
amazing . . . they're
the future of fashion, I mean I'm really stoked as a young company to  
be working
with them and I think this is the beginning of greatness . . .  
honestly. It was quite
a shoot, and . . . you guys will see it, it'll be on the pages, of  
March . . .
I'd be honest I look forward to work with them again and again. I  
mean honestly .
. . this is a relationship and a partnership that is going to create  
some really
amazing, amazing things, and I look forward to it. It's going to be  
really fucking
cool . . .î.
34. By about December 21, 2007, plaintiffs had already prepared seven  
(7) composed
ad proposals for presentation to defendants.
35. On that date, following plaintiffsí submission of images for  
consideration,
defendant Ball suddenly contacted plaintiffs and for no reason,  
demanded that plaintiffs
immediately turn over all images taken - even test images. Such a  
demand under these
circumstances is unheard of and is not standard in the industry.
36. Despite Ballís unreasonable demand, plaintiffs additionally  
provided several
dozen images to defendants on December 22 and December 29, 2006.
37. At this time, plaintiffs further explained that the edited  
selection of images was
ready for review, however, defendant Ball simply refused to  
communicate at all with plaintiffs
information and belief, has recently sued defendants.
about the proposed image selection.
38. Thereafter, defendants notified plaintiffsí agent that they were  
not only refusing to
use any of plaintiffsí images, but were refusing to use Klinko and  
MKIP in any further ad
campaigns (as promised).
39. Defendants also notified plaintiffsí agent and Klinko directly  
that they were
refusing to compensate plaintiffs at all, without any viable reason.
40. Upon information and belief, on or about January 15, 2007,  
defendant Ball came
into possession and/or viewed highly personal, sexually explicit  
photos and e-mails, shared
between Klinko and Romero.
41. On January 18, 2007, defendant Ball contacted Klinkoís attorney  
by telephone,
stating he had viewed the sexually explicit photographs and e-mails.
42. In that conversation, Ball threatened that if Klinko contacted or  
pursued Romero
any further, Klinkoís reputation would be damaged by the exposure of  
such information.
43. On about January 21, 2007, Klinko contacted Ball by telephone,  
whereupon Ball
proceeded to threaten Klinko that if he did not ìback offî and simply  
ìwalk awayî from any
claims he had against defendants or Romero, Ball would expend all of  
his power and influence to
embarrass, humiliate and professionally ruin Klinko by exposure of  
this personal information.
44. On that phone conversation, defendant Ball repeatedly threatened  
and intimidated
Klinko with statements such as ìdonít fuck with me or youíll regret  
itî, ìlet it go, or elseî, ìyou
donít want to fuck with meî and ìdonít fuck with me on a personal  
levelî.
45. Ballís threats also included that he would assist Romero in  
filing a bogus
harassment claim with local police and spend ìany amount of moneyî on  
attorneys for Romero
to pursue Klinko, in addition to causing crippling financial loss to  
plaintiffs.
46. On that phone conversation, Ball threatened and intimated that if  
Klinko did not
ìback offî and ìwalk awayî, he would use all of his influence and  
connections in the industry to
prevent Klinko and MKIP from earning money with other clients, and  
would openly and publicly
refuse to use plaintiffsí work, thus causing further embarrassment  
and humiliation.
47. On that phone conversation, Ball also threatened to force Klinko  
to expend great
sums of money via legal battles and attorneysí fees, that would  
essentially put Klinko out of
business.
48. In conjunction with making such threats, Ball feigned the act of  
ìprotectingî
Romero. However, upon information and belief, Ball is simply  
protecting his own interests and
using the opportunity of Romeroís romantic relationship with Klinko,  
and the sexually explicit
photos and personal e-mails, to avoid his own liability and to strike  
out maliciously against
Klinko.
49. Upon communicating with defendant Ball on January 21, 2007, and  
in fear and
apprehension over the aforesaid threats received from Ball, Klinko  
decided to forgo pursing Ball,
Rock &amp;#38; Republic and/or Romero for monies owed and services performed.

AS AND FOR A FIRST CAUSE OF ACTION
AGAINST MICHAEL BALL
(Extortion)

50. Plaintiffs incorporate paragraphs ì1î through ì49î, above by  
reference.
51. That defendant Ball did threaten and intimidate plaintiff Klinko  
that if he did not
relinquish his rights to property, namely money plaintiffs are  
entitled to, and if Klinko did not
cease all communications with Romero, he would expose personal  
documents and photographs
and publicize the same, subjecting Klinko to contempt, ridicule or  
embarrassment.
52. That defendant Ball did threaten and intimidate plaintiff Klinko  
that if he did not
relinquish his rights to property, namely money plaintiffs are  
entitled to, and if Klinko did not
cease all communications with Romero, he would assist in accusing  
Klinko of a crime and/or
cause criminal charges to be instituted against him.
53. That defendant Ball did threaten and intimidate plaintiff Klinko  
that if he did not
relinquish his rights to property, namely money plaintiffs are  
entitled to, and if Klinko did not
cease all communications with Romero, he would use his influence in  
the fashion industry and
spend any amount of money to defame, bad mouth and harm Klinko  
personally and
professionally, in the fashion and entertainment industry.
54. That such wrongful actions would cause serious injury to  
plaintiffsí reputations
and business interests.
55. That by reason of defendant Ballís threats, defendants improperly  
obtained
property, namely, services, money and images to which they are not  
entitled.
56. By reason of defendant Ballís attempted extortion, plaintiffs are  
entitled to
declaratory and injunctive relief as well as compensatory and  
punitive damages in an amount to
be determined at trial.

AS AND FOR A SECOND CAUSE OF ACTION
AGAINST MICHAEL BALL
(Tortious Interference with Prospective Business Relations)

57. Plaintiffs incorporate paragraphs ì1î through ì56î, above by  
reference.
58. Plaintiffsí public image and relations with clients and  
advertisers, agents, models,
make-up artists, hair stylists, and those employed in the  
entertainment industry are crucial to
their business.
59. Defendant Ballís wrongful actions, as described in the foregoing  
paragraphs, and
which include the willful breach of the Rock &amp;#38; Republic advertising  
campaign contract without
reason, exhibit an intentional, malicious and unjustified  
interference with plaintiffsí current and
future business relations with said clients and advertisers, and  
those employed in the
entertainment industry.
60. Defendant Ballís actions, as described in the foregoing  
paragraphs, were improper
and beyond the scope of his position as CEO of defendant Rock &amp;#38;  
Republic, such that these
actions served to interfere with plaintiffsí current and future  
business relations with Rock &amp;#38;
Republic.
61. Defendant Ballís interference with plaintiffsí business relations  
was undertaken
with the sole purpose of harassing plaintiffs and/or with dishonest,  
unfair or improper means.
62. By reason of the foregoing, and as a direct and proximate result  
of defendant
Ballís conduct, plaintiffs are entitled to declaratory and injunctive  
relief as well as compensatory
and punitive damages in an amount to be determined at trial.

AS AND FOR A THIRD CAUSE OF ACTION
AGAINST MICHAEL BALL
(Prima Facie Tort)

63. Plaintiffs incorporate paragraphs ì1î through ì62î, above by  
reference.
64. Defendant Ballís wrongful conduct was completely unjustified and  
was intended
solely to inflict substantial harm against plaintiffs.
65. By reason of the foregoing, plaintiffs are entitled to  
declaratory and injunctive
relief as well as compensatory and punitive damages in an amount to  
be determined at trial.

AS AND FOR A FOURTH CAUSE OF ACTION
AGAINST MICHAEL BALL
(Intentional Infliction of Emotional Distress)

66. Plaintiffs incorporate paragraphs ì1î through ì65î, above by  
reference.
67. Defendant Ballís wrongful conduct, as described in the foregoing  
paragraphs,
constitutes extreme and outrageous conduct and behavior.
68. Defendant Ball acted with malice, and with the intent to cause  
severe emotional
distress to plaintiff Klinko and/or in deliberate disregard of the  
high probability that severe
emotional distress to Klinko would result.
69. Defendant Ball has maliciously embarked on a course of conduct  
intended to
cause Klinko to suffer mental and emotional distress, tension and  
anxiety.
70. Plaintiff Klinko has suffered and will continue to suffer great  
mental strain and
anguish and severe emotional distress.
71. By reason of the foregoing and as a direct and proximate result  
of defendant
Ballís conduct, plaintiff Klinko is entitled to compensatory and  
punitive damages against
defendant Ball in an amount to be determined at trial.

AS AND FOR A FIFTH CAUSE OF ACTION
AGAINST DEFENDANT ROCK &amp;#38; REPUBLIC
(Breach of Contract)

72. Plaintiffs incorporate paragraphs ì1î through ì71î, above by  
reference.
73. To date, despite due demand, defendant Rock &amp;#38; Republic has  
refused to pay
plaintiffs for their services.
74. That defendant has willfully breached its agreement with  
plaintiffs by failing to
pay plaintiffs for their services duly rendered.
75. That defendant has willfully breached its agreement with  
plaintiffs by refusing to
use plaintiffsí images and provide plaintiffs with credit  
acknowledgment of the same.
76. That defendant has willfully breached its agreement with  
plaintiffs by failing to
provide plaintiffs exclusivity for their services as ìpartnersî with  
regard to future advertising
campaigns.
77. That as a result of defendantís breach of the partiesí agreement,  
plaintiffs have
been damaged in a sum to be determined at trial, but believed to be  
no less than Five Hundred
Thousand Dollars ($ 500,000.00).

AS AND FOR A SIXTH CAUSE OF ACTION
AGAINST DEFENDANT ROCK &amp;#38; REPUBLIC
(Unjust Enrichment)

78. Plaintiffs incorporate paragraphs ì1î through ì77î, above by  
reference.
79. Under the doctrine of quantum meruit, defendant Rock &amp;#38; Republic  
has been
unjustly enriched by receiving the benefit of the services provided  
by the plaintiffs in a sum to be
determined at trial, but believed to be an amount no less than Two  
Hundred Thousand Dollars ($
200,000.00).

WHEREFORE, Plaintiffs demand judgment against the Defendants as follows:
a. Declaring that the acts and practices complained of herein are in  
violation of the
laws of the State of New York;
b. Enjoining and permanently restraining these violations;
c. Directing Defendants to pay compensatory and punitive damages to  
Plaintiffs in
an amount to be proven at trial;
d. Awarding Plaintiffs costs, disbursements and reasonable attorneysí  
fees; and
e. Such other and further relief as the Court may deem just and proper.

Dated: New York, New York
January 23, 2007

Respectfully submitted,

MELTZER LoPRESTI, LLP
By: /s/ _________________________
Anthony A. LoPresti
30 Broad Street, 37th Floor
New York, New York 10004
(212) 425-0551
Attorneys for Plaintiffs</description>
		<content:encoded><![CDATA[<p>Interesting, Victoria Beckham isnt the only one having problems with Rock &amp; Republic. This suit between photographer Markus Klinko and Rock &amp; Republic is even in the New York post at <a href='http://www.nypost.com/seven/01262007/news/nationalnews/fashion_passion_sextortion_nationalnews_dareh_gregorian_and_bill_hoffmann.htm' rel='nofollow'>http://www.nypost.com/seven/01262007/news/nationalnews/fashion_passion_sextortion_nationalnews_dareh_gregorian_and_bill_hoffmann.htm</a> and<br />
<a href='http://www.nypost.com/seven/01272007/news/regionalnews/4_way_triangle_regionalnews_dareh_gregorian.htm' rel='nofollow'>http://www.nypost.com/seven/01272007/news/regionalnews/4_way_triangle_regionalnews_dareh_gregorian.htm</a></p>
<p>Theres an interview Michael Ball did about working with Markus, and it was pretty nice. Its on youtube at <a href='http://youtube.com/watch?v=2bsXaWdhHC8' rel='nofollow'>http://youtube.com/watch?v=2bsXaWdhHC8</a></p>
<p>Check out this lawsuit, what do you guys think about this?:</p>
<p>SUPREME COURT OF THE STATE OF NEW YORK<br />
COUNTY OF NEW YORK<br />
&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;X<br />
MARKUS KLINKO and MARKUS KLINKO<br />
Index No.<br />
PHOTOGRAPHY, INC., d/b/a MARKUS KLINKO &amp; INDRANI PHOTOGRAPHY,<br />
                                                                       V<br />
ERIFIED COMPLAINT<br />
Plaintiff,</p>
<p>-against-</p>
<p>ROCK &amp; REPUBLIC ENTERPRISES, INC., d/b/a ROCK &amp; REPUBLIC JEANS and<br />
MICHAEL BALL, individually,</p>
<p>Defendants.<br />
&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;X<br />
Plaintiffs MARKUS KLINKO and MARKUS KLINKO PHOTOGRAPHY, INC.,<br />
d/b/a MARKUS KLINKO &amp; INDRANI PHOTOGRAPHY, by and through their<br />
attorneys,<br />
MELTZER LoPRESTI, LLP, as and for their complaint against Defendants<br />
ROCK &amp;<br />
REPUBLIC ENTERPRISES, INC., d/b/a ROCK &amp; REPUBLIC JEANS and MICHAEL<br />
BALL, allege as follows:</p>
<p>NATURE OF ACTION</p>
<p>1. This action responds to a pattern of threats and extortion<br />
perpetrated by defendant<br />
Michael Ball (ìBallî), the CEO, founder and head designer for<br />
defendant Rock &amp; Republic<br />
Enterprises, Inc. (ìRock &amp; Republicî), a manufacturer of fashionable<br />
denim jeans under the<br />
brand name ìRock &amp; Republicî.<br />
2. Fueled by jealousies over an ex-fiancÈ that abandoned Ball and who<br />
subsequently<br />
entered into a long term romantic relationship with plaintiff Markus<br />
Klinko (ìKlinkoî), and<br />
seeking to protect himself from potentially damaging information<br />
regarding his past, Ball<br />
embarked on a crusade to intimidate Klinko personally and<br />
professionally. Upon obtaining<br />
possession of intimate e-mails and sexually explicit photos exchanged<br />
by Klinko and Ballís exfiancÈ,<br />
Ball proceeded to threaten Klinko to ìwalk awayî from his ex-lover<br />
and any monies<br />
owed to plaintiffs, because if he didnít, Ball would use his ìpower<br />
and influenceî in the fashion<br />
industry, as well as the photos and e-mails, to publicly embarrass<br />
and ruin Klinko personally and<br />
professionally. Ballís threat: ìyou donít want to fuck with meî.<br />
3. In December 2006, Klinko, together with his business partner<br />
Indrani Pal-<br />
Chaudhuri (ìIndraniî) and their studio, Markus Klinko &amp; Indrani<br />
Photography (ìMKIPî), had<br />
originally been hired by defendant Rock &amp; Republic to shoot an<br />
international advertising<br />
campaign for their brand.<br />
4. Klinko, a highly successful, internationally acclaimed, fashion/<br />
celebrity<br />
photographer who has become well known for his work with A-list<br />
actors, musicians and models<br />
in the entertainment industry such as Jennifer Lopez, Britney Spears,<br />
Mariah Carey, Janet<br />
Jackson, Beyonce, Lindsay Lohan and David Bowie, among many others,<br />
as well as for his work<br />
in major advertising campaigns and fashion magazines, was introduced<br />
to Ball by Ballís exfiancÈ<br />
while she was in a romantic relationship with Klinko. However, upon<br />
information and<br />
belief, Ball was unaware of this relationship.<br />
5. Thereafter, despite being admittedly extremely pleased by Klinko<br />
and MKIPís<br />
work and the obvious success of the photo shoot, instead, Ball later<br />
sought to humiliate and<br />
embarrass Klinko and MKIP by making unreasonable and nonsensical<br />
demands. Ball followed<br />
by then refusing to use any of plaintiffsí images, by refusing to use<br />
Klinko and MKIP in any<br />
further ad campaigns (as defendants had promised), and by refusing to<br />
compensate plaintiffs<br />
without any viable reason.<br />
6. One week later, upon coming into possession of the aforesaid<br />
sexually explicit<br />
images and personal e-mails, Ball then proceeded to threaten Klinko,<br />
claiming to be a ìbig shotî<br />
in the industry (ìdo you know who I amî), and that Klinko would be<br />
embarrassed, humiliated<br />
and professionally ruined by this personal information and the<br />
release of the photos if he didnít<br />
simply ìwalk awayî from any of his claims against defendants or his<br />
former lover, repeatedly<br />
intimidating Klinko with such statements as ìdonít fuck with me or<br />
youíll regret itî, ìyou donít<br />
want to fuck with meî and ìlet it go, or elseî.<br />
7. At that time, Ballís threats also included him assisting in the<br />
filing of a<br />
harassment claim against Klinko with local police and spending<br />
whatever money it took for his<br />
attorneys to pursue Klinko through representation of his ex-fiancÈ.<br />
8. As alleged herein, in conjunction with the making of such threats,<br />
Ball feigned the<br />
act of ìprotectingî his former lover as if a ìknight in shining<br />
armorî, while portraying Klinko as<br />
a disgruntled boyfriend. However, numerous e-mails and communications<br />
between both Klinko<br />
and Ballís ex-fiancÈ subsequent to their separation and prior to<br />
Ballís threats, belie such a<br />
characterization. Rather, these communications support plaintiffsí<br />
claims of Ballís jealous and<br />
vindictive motivation, as they detail numerous times a loving desire<br />
by Ballís ex-fiancÈ to<br />
continue to remain in a relationship with Klinko, or in the least to<br />
remain in communication with<br />
him. In an e-mail to Klinko dated December 28, 2006, she elaborated:<br />
ìListen [ ]now that you<br />
met Michael you can understand why I got so traumatized.î<br />
9. Defendant Ball has continued to act in bad faith through such<br />
threats, and has<br />
benefited by improperly retaining the fruits of plaintiffsí labor, by<br />
preventing plaintiffs from<br />
recovering what is rightfully theirs, by use of threats intended to<br />
destroy Klinkoís personal life<br />
and professional career and to embarrass and severely injure<br />
plaintiffsí reputation and financial<br />
interests. Threats of ruining someoneís career through extortion and<br />
blackmail should not be<br />
tolerated - and resorting to bully tactics in avoidance of proper<br />
resolution through the judicial<br />
system is simply unacceptable.</p>
<p>THE PARTIES</p>
<p>10. Plaintiff Markus Klinko (ìKlinkoî), is an individual and resident<br />
of New York<br />
County. Klinko is an internationally known, high-end fashion/<br />
celebrity photographer, catering to<br />
numerous well-known actors, musicians and models in the entertainment<br />
industry, as well as<br />
international advertising campaigns and magazines.<br />
11. Plaintiff Markus Klinko Photography, Inc., d/b/a Markus Klinko &amp;<br />
Indrani<br />
Photography (ìMKIPî), is a corporation duly organized under the laws<br />
of the State of New<br />
York, and maintains a principal place of business in the City, County<br />
and State of New York.<br />
MKIP is in the business of photographic and imaging services.<br />
12. Upon information and belief, defendant Rock &amp; Republic<br />
Enterprises, Inc., d/b/a<br />
Rock &amp; Republic Jean (ìRock &amp; Republicî), is a corporation organized<br />
under the laws of the<br />
State of California, with a principal office located at 3525 Eastham<br />
Drive, Culver City,<br />
California 90232. Rock &amp; Republic is a manufacturer of, among other<br />
things, denim jeans,<br />
which are sold in New York.<br />
13. Upon information and belief, Michael Ball (ìBallî), is a resident<br />
of the State of<br />
California and is the CEO and founder of defendant Rock &amp; Republic.</p>
<p>VENUE</p>
<p>14. In accordance with Rule 503(a) of the New York Civil Practice Law<br />
and Rules,<br />
venue is appropriate in this Court.</p>
<p>STATEMENT OF FACTS</p>
<p>15. Plaintiffs maintain a well-known business in photography and<br />
photographic<br />
imaging, catering to a high-end fashion/celebrity clientele of<br />
actors, musicians and models in the<br />
entertainment industry, also creating images seen in international<br />
advertising campaigns and<br />
magazines.<br />
16. Defendants Ball and Rock &amp; Republic represent the brand ìRock &amp;<br />
Republicî, a<br />
clothing line that primarily features fashionable denim jeans.<br />
17. On or about November 22, 2006, defendants sought a high-end<br />
photographer to<br />
shoot their major advertising campaign for Spring 2007, to be<br />
revealed at Fashion Week in New<br />
York, February 2007.<br />
18. At that time, defendant Klinko was romantically involved with<br />
Fernanda Romero<br />
(ìRomeroî), a soap opera actress and aspiring model. Romero<br />
introduced Klinko to Ball, in an<br />
apparent attempt to garner a position as featured model in the Rock &amp;<br />
Republic campaign.<br />
19. Several years earlier, defendant Ball had been romantically<br />
involved with<br />
Romero, and had even proposed to her. The couple subsequently became<br />
engaged.<br />
20. Upon information and belief, after a tumultuous relationship in<br />
which Ball had<br />
several violent incidences with Romero, Romero left Ball and ended<br />
the relationship.<br />
21. Upon information and belief, at various times during 2005, Ball<br />
assisted and/or<br />
aided Romero in procuring a fraudulent marriage for immigration<br />
purposes, and also assisted and<br />
advised Romero in obtaining a false social security identification<br />
card while utilizing two<br />
different social security numbers.<br />
22. In about January, 2006, Romero became romantically involved with<br />
plaintiff<br />
Klinko. Upon information and belief, this occurred despite Ballís<br />
attempts to woo Romero back<br />
by buying her a new car during that same time.<br />
23. During Romero and Klinkoís relationship, Romero would often<br />
reveal to Klinko<br />
highly confidential and intimate details about her relationship with<br />
Ball, and at times she would<br />
even broadcast phone conversations with Ball via speakerphone or by<br />
placing the phone at full<br />
volume.<br />
24. On numerous occasions, Romero referred to sensitive matters<br />
regarding their<br />
prior relationship, such as instances of violence by Ball leading to<br />
police involvement and<br />
Romeroís complaints to the police, immigration fraud and his<br />
complicity in her fraudulent<br />
marriage and the procurement of false social security numbers, tapes<br />
of their therapy sessions<br />
and conversations regarding his sexuality.<br />
25. Upon information and belief, Klinkoís acquired knowledge of such<br />
accounts was<br />
the partial motivation for Ball to eventually seek to silence and<br />
extort Klinko.<br />
26. In about November 2006, Romero introduced Klinko to Ball in an<br />
apparent effort<br />
to be featured in the Rock &amp; Republic advertising campaign.<br />
27. Upon information and belief, until that time, Romero had never<br />
told Ball that she<br />
was involved with Klinko for fear of not being awarded a model<br />
contract with Rock &amp; Republic.<br />
28. Upon meeting, Ball represented that since defendants had<br />
partnered with and/or<br />
been involved in major campaigns with celebrity personalities such as<br />
Victoria Beckham (ìPosh<br />
Spiceî) and plans to feature Jessica Alba in an upcoming fashion<br />
season, plaintiffs would<br />
benefit from the added exposure of a full advertising campaign with<br />
the Rock &amp; Republic<br />
brand.1<br />
29. As defendants were aware, Klinko and MKIP demand a superior ìday<br />
rateî in the<br />
industry due to their status and impressive client roster.<br />
Plaintiffsí images are known worldwide,<br />
as they have produced many instantly recognizable photographs for A-<br />
list celebrities, musicians<br />
and models in the entertainment industry, such as Jennifer Lopez,<br />
Britney Spears, Mariah Carey,<br />
Beyonce, Lindsay Lohan, Mary J. Blige, Kate Winslet, Keanu Reeves,<br />
David Bowie, among<br />
others, as well as major advertising campaigns for highly visible<br />
clients such as L&#8217;Oreal Paris,<br />
Pepsi, Hugo Boss, Nike, Elizabeth Arden, Baby Phat, and many others.<br />
Such images have also<br />
appeared in well-known magazines such as Vanity Fair, V, GQ,<br />
Interview, Arena and Playboy,<br />
among others. (See <a href='http://www.markusklinko-indrani.com/photoGallery/' rel='nofollow'>http://www.markusklinko-indrani.com/photoGallery/</a> )<br />
30. On or about December 5, 2006, the parties agreed that plaintiffs<br />
would be retained<br />
by defendants in relation to the advertising campaign for defendantsí<br />
brand ìRock &amp; Republicî<br />
(hereinafter, ìthe Workî), on the following terms: (i) plaintiffs<br />
would be guaranteed ìon page ad<br />
creditî for their work; and (ii) plaintiffs were to be granted<br />
exclusive rights to shoot future<br />
campaigns for the brand. In return, plaintiffs agreed to: (a) waive<br />
their session fee (which<br />
consisted of a day rate of $ 30,000.00); (b) grant international<br />
usage of images produced for one<br />
year (valued at $ 30,000.00); and (c) provide digital post production<br />
services at cost. Attached as<br />
Exhibit ìAî is the partiesí agreement. As is standard, up front<br />
expenses of the photo shoot were<br />
to be paid prior to the shoot.<br />
31. At this time, by the explicit instruction of Ball, Romero was not<br />
to be used in the<br />
1 Unknown to Klinko, defendants and Victoria Beckham had parted ways,<br />
and upon<br />
photo shoot because ìshe cheated on meî, as Ball stated before both<br />
his and plaintiffsí staff.<br />
32. Pursuant to said agreement, on about December 14, 2007,<br />
plaintiffs duly<br />
performed the required services in connection with the Work.<br />
33. The photo shoot was a great success, and defendant Ball openly<br />
praised the<br />
plaintiffsí work, which he also declared on camera in a video<br />
produced for the campaign. As<br />
stated by Ball:<br />
ìI just wanted to say working with Markus and Indrani was<br />
amazing . . . they&#8217;re<br />
the future of fashion, I mean I&#8217;m really stoked as a young company to<br />
be working<br />
with them and I think this is the beginning of greatness . . .<br />
honestly. It was quite<br />
a shoot, and . . . you guys will see it, it&#8217;ll be on the pages, of<br />
March . . .<br />
I&#8217;d be honest I look forward to work with them again and again. I<br />
mean honestly .<br />
. . this is a relationship and a partnership that is going to create<br />
some really<br />
amazing, amazing things, and I look forward to it. It&#8217;s going to be<br />
really fucking<br />
cool . . .î.<br />
34. By about December 21, 2007, plaintiffs had already prepared seven<br />
(7) composed<br />
ad proposals for presentation to defendants.<br />
35. On that date, following plaintiffsí submission of images for<br />
consideration,<br />
defendant Ball suddenly contacted plaintiffs and for no reason,<br />
demanded that plaintiffs<br />
immediately turn over all images taken - even test images. Such a<br />
demand under these<br />
circumstances is unheard of and is not standard in the industry.<br />
36. Despite Ballís unreasonable demand, plaintiffs additionally<br />
provided several<br />
dozen images to defendants on December 22 and December 29, 2006.<br />
37. At this time, plaintiffs further explained that the edited<br />
selection of images was<br />
ready for review, however, defendant Ball simply refused to<br />
communicate at all with plaintiffs<br />
information and belief, has recently sued defendants.<br />
about the proposed image selection.<br />
38. Thereafter, defendants notified plaintiffsí agent that they were<br />
not only refusing to<br />
use any of plaintiffsí images, but were refusing to use Klinko and<br />
MKIP in any further ad<br />
campaigns (as promised).<br />
39. Defendants also notified plaintiffsí agent and Klinko directly<br />
that they were<br />
refusing to compensate plaintiffs at all, without any viable reason.<br />
40. Upon information and belief, on or about January 15, 2007,<br />
defendant Ball came<br />
into possession and/or viewed highly personal, sexually explicit<br />
photos and e-mails, shared<br />
between Klinko and Romero.<br />
41. On January 18, 2007, defendant Ball contacted Klinkoís attorney<br />
by telephone,<br />
stating he had viewed the sexually explicit photographs and e-mails.<br />
42. In that conversation, Ball threatened that if Klinko contacted or<br />
pursued Romero<br />
any further, Klinkoís reputation would be damaged by the exposure of<br />
such information.<br />
43. On about January 21, 2007, Klinko contacted Ball by telephone,<br />
whereupon Ball<br />
proceeded to threaten Klinko that if he did not ìback offî and simply<br />
ìwalk awayî from any<br />
claims he had against defendants or Romero, Ball would expend all of<br />
his power and influence to<br />
embarrass, humiliate and professionally ruin Klinko by exposure of<br />
this personal information.<br />
44. On that phone conversation, defendant Ball repeatedly threatened<br />
and intimidated<br />
Klinko with statements such as ìdonít fuck with me or youíll regret<br />
itî, ìlet it go, or elseî, ìyou<br />
donít want to fuck with meî and ìdonít fuck with me on a personal<br />
levelî.<br />
45. Ballís threats also included that he would assist Romero in<br />
filing a bogus<br />
harassment claim with local police and spend ìany amount of moneyî on<br />
attorneys for Romero<br />
to pursue Klinko, in addition to causing crippling financial loss to<br />
plaintiffs.<br />
46. On that phone conversation, Ball threatened and intimated that if<br />
Klinko did not<br />
ìback offî and ìwalk awayî, he would use all of his influence and<br />
connections in the industry to<br />
prevent Klinko and MKIP from earning money with other clients, and<br />
would openly and publicly<br />
refuse to use plaintiffsí work, thus causing further embarrassment<br />
and humiliation.<br />
47. On that phone conversation, Ball also threatened to force Klinko<br />
to expend great<br />
sums of money via legal battles and attorneysí fees, that would<br />
essentially put Klinko out of<br />
business.<br />
48. In conjunction with making such threats, Ball feigned the act of<br />
ìprotectingî<br />
Romero. However, upon information and belief, Ball is simply<br />
protecting his own interests and<br />
using the opportunity of Romeroís romantic relationship with Klinko,<br />
and the sexually explicit<br />
photos and personal e-mails, to avoid his own liability and to strike<br />
out maliciously against<br />
Klinko.<br />
49. Upon communicating with defendant Ball on January 21, 2007, and<br />
in fear and<br />
apprehension over the aforesaid threats received from Ball, Klinko<br />
decided to forgo pursing Ball,<br />
Rock &amp; Republic and/or Romero for monies owed and services performed.</p>
<p>AS AND FOR A FIRST CAUSE OF ACTION<br />
AGAINST MICHAEL BALL<br />
(Extortion)</p>
<p>50. Plaintiffs incorporate paragraphs ì1î through ì49î, above by<br />
reference.<br />
51. That defendant Ball did threaten and intimidate plaintiff Klinko<br />
that if he did not<br />
relinquish his rights to property, namely money plaintiffs are<br />
entitled to, and if Klinko did not<br />
cease all communications with Romero, he would expose personal<br />
documents and photographs<br />
and publicize the same, subjecting Klinko to contempt, ridicule or<br />
embarrassment.<br />
52. That defendant Ball did threaten and intimidate plaintiff Klinko<br />
that if he did not<br />
relinquish his rights to property, namely money plaintiffs are<br />
entitled to, and if Klinko did not<br />
cease all communications with Romero, he would assist in accusing<br />
Klinko of a crime and/or<br />
cause criminal charges to be instituted against him.<br />
53. That defendant Ball did threaten and intimidate plaintiff Klinko<br />
that if he did not<br />
relinquish his rights to property, namely money plaintiffs are<br />
entitled to, and if Klinko did not<br />
cease all communications with Romero, he would use his influence in<br />
the fashion industry and<br />
spend any amount of money to defame, bad mouth and harm Klinko<br />
personally and<br />
professionally, in the fashion and entertainment industry.<br />
54. That such wrongful actions would cause serious injury to<br />
plaintiffsí reputations<br />
and business interests.<br />
55. That by reason of defendant Ballís threats, defendants improperly<br />
obtained<br />
property, namely, services, money and images to which they are not<br />
entitled.<br />
56. By reason of defendant Ballís attempted extortion, plaintiffs are<br />
entitled to<br />
declaratory and injunctive relief as well as compensatory and<br />
punitive damages in an amount to<br />
be determined at trial.</p>
<p>AS AND FOR A SECOND CAUSE OF ACTION<br />
AGAINST MICHAEL BALL<br />
(Tortious Interference with Prospective Business Relations)</p>
<p>57. Plaintiffs incorporate paragraphs ì1î through ì56î, above by<br />
reference.<br />
58. Plaintiffsí public image and relations with clients and<br />
advertisers, agents, models,<br />
make-up artists, hair stylists, and those employed in the<br />
entertainment industry are crucial to<br />
their business.<br />
59. Defendant Ballís wrongful actions, as described in the foregoing<br />
paragraphs, and<br />
which include the willful breach of the Rock &amp; Republic advertising<br />
campaign contract without<br />
reason, exhibit an intentional, malicious and unjustified<br />
interference with plaintiffsí current and<br />
future business relations with said clients and advertisers, and<br />
those employed in the<br />
entertainment industry.<br />
60. Defendant Ballís actions, as described in the foregoing<br />
paragraphs, were improper<br />
and beyond the scope of his position as CEO of defendant Rock &amp;<br />
Republic, such that these<br />
actions served to interfere with plaintiffsí current and future<br />
business relations with Rock &amp;<br />
Republic.<br />
61. Defendant Ballís interference with plaintiffsí business relations<br />
was undertaken<br />
with the sole purpose of harassing plaintiffs and/or with dishonest,<br />
unfair or improper means.<br />
62. By reason of the foregoing, and as a direct and proximate result<br />
of defendant<br />
Ballís conduct, plaintiffs are entitled to declaratory and injunctive<br />
relief as well as compensatory<br />
and punitive damages in an amount to be determined at trial.</p>
<p>AS AND FOR A THIRD CAUSE OF ACTION<br />
AGAINST MICHAEL BALL<br />
(Prima Facie Tort)</p>
<p>63. Plaintiffs incorporate paragraphs ì1î through ì62î, above by<br />
reference.<br />
64. Defendant Ballís wrongful conduct was completely unjustified and<br />
was intended<br />
solely to inflict substantial harm against plaintiffs.<br />
65. By reason of the foregoing, plaintiffs are entitled to<br />
declaratory and injunctive<br />
relief as well as compensatory and punitive damages in an amount to<br />
be determined at trial.</p>
<p>AS AND FOR A FOURTH CAUSE OF ACTION<br />
AGAINST MICHAEL BALL<br />
(Intentional Infliction of Emotional Distress)</p>
<p>66. Plaintiffs incorporate paragraphs ì1î through ì65î, above by<br />
reference.<br />
67. Defendant Ballís wrongful conduct, as described in the foregoing<br />
paragraphs,<br />
constitutes extreme and outrageous conduct and behavior.<br />
68. Defendant Ball acted with malice, and with the intent to cause<br />
severe emotional<br />
distress to plaintiff Klinko and/or in deliberate disregard of the<br />
high probability that severe<br />
emotional distress to Klinko would result.<br />
69. Defendant Ball has maliciously embarked on a course of conduct<br />
intended to<br />
cause Klinko to suffer mental and emotional distress, tension and<br />
anxiety.<br />
70. Plaintiff Klinko has suffered and will continue to suffer great<br />
mental strain and<br />
anguish and severe emotional distress.<br />
71. By reason of the foregoing and as a direct and proximate result<br />
of defendant<br />
Ballís conduct, plaintiff Klinko is entitled to compensatory and<br />
punitive damages against<br />
defendant Ball in an amount to be determined at trial.</p>
<p>AS AND FOR A FIFTH CAUSE OF ACTION<br />
AGAINST DEFENDANT ROCK &amp; REPUBLIC<br />
(Breach of Contract)</p>
<p>72. Plaintiffs incorporate paragraphs ì1î through ì71î, above by<br />
reference.<br />
73. To date, despite due demand, defendant Rock &amp; Republic has<br />
refused to pay<br />
plaintiffs for their services.<br />
74. That defendant has willfully breached its agreement with<br />
plaintiffs by failing to<br />
pay plaintiffs for their services duly rendered.<br />
75. That defendant has willfully breached its agreement with<br />
plaintiffs by refusing to<br />
use plaintiffsí images and provide plaintiffs with credit<br />
acknowledgment of the same.<br />
76. That defendant has willfully breached its agreement with<br />
plaintiffs by failing to<br />
provide plaintiffs exclusivity for their services as ìpartnersî with<br />
regard to future advertising<br />
campaigns.<br />
77. That as a result of defendantís breach of the partiesí agreement,<br />
plaintiffs have<br />
been damaged in a sum to be determined at trial, but believed to be<br />
no less than Five Hundred<br />
Thousand Dollars ($ 500,000.00).</p>
<p>AS AND FOR A SIXTH CAUSE OF ACTION<br />
AGAINST DEFENDANT ROCK &amp; REPUBLIC<br />
(Unjust Enrichment)</p>
<p>78. Plaintiffs incorporate paragraphs ì1î through ì77î, above by<br />
reference.<br />
79. Under the doctrine of quantum meruit, defendant Rock &amp; Republic<br />
has been<br />
unjustly enriched by receiving the benefit of the services provided<br />
by the plaintiffs in a sum to be<br />
determined at trial, but believed to be an amount no less than Two<br />
Hundred Thousand Dollars ($<br />
200,000.00).</p>
<p>WHEREFORE, Plaintiffs demand judgment against the Defendants as follows:<br />
a. Declaring that the acts and practices complained of herein are in<br />
violation of the<br />
laws of the State of New York;<br />
b. Enjoining and permanently restraining these violations;<br />
c. Directing Defendants to pay compensatory and punitive damages to<br />
Plaintiffs in<br />
an amount to be proven at trial;<br />
d. Awarding Plaintiffs costs, disbursements and reasonable attorneysí<br />
fees; and<br />
e. Such other and further relief as the Court may deem just and proper.</p>
<p>Dated: New York, New York<br />
January 23, 2007</p>
<p>Respectfully submitted,</p>
<p>MELTZER LoPRESTI, LLP<br />
By: /s/ _________________________<br />
Anthony A. LoPresti<br />
30 Broad Street, 37th Floor<br />
New York, New York 10004<br />
(212) 425-0551<br />
Attorneys for Plaintiffs
</p>
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